Reprinted from the liner notes to the song-poem compilation CD, The American Song-Poem Christmas: Daddy, Is Santa Really Six Foot Four?

Anyone remotely famous, whether or not singing was previously on their resume, has made a Christmas album — from Bing Crosby to RuPaul. (She called hers Ho Ho Ho.) In the giving tradition of the holidays, Bar/None offers yet another: The American Song-Poem Christmas: Daddy, Is Santa Really Six-Foot Four? We’re certain you haven’t heard these tunes on anyone’s holiday TV special or sung them yourself while caroling with friends and neighbors. But you might, next season, once you’ve gotten to know these oddly enchanting numbers. As you’ll discover, they embody the wishful spirit of Christmas. Each one is an improbable bid to be the next great holiday classic, a new “Jingle Bells” or “Santa Claus Is Coming To Town.”

You’re about to enter the strange but beguiling world of song-poems, filled with starry-eyed folks who believed their words and sentiments had the makings of a hit song. They were enticed by advertisements they spotted in tabloids, placed by predatory music production companies that claimed to be looking for “song-poems” — lyrics is the more prosaic term. As would-be writers soon learned, every submission was a smash-in-waiting; all they had to do was pay up front for the privilege of having their words set to music and recorded. The customer could select a tempo, style and the gender of the vocalist, but beyond that, they were at the mercy of studio musicians and singers, often moonlighting under pseudonyms from their real gigs. They created on-the-spot arrangements for these one-take wonders. The results were pressed onto a single or a song-poem compilation album, and a handful would be sent to the customer. That usually ended their brush with fame and fortune.

It would all seem like a sad, sucker-born-every-minute scam, if it weren’t for the fact that song-poems have taken on a remarkable second life among hardcore record collectors, indie rockers and fans of outsider art. Yo La Tengo, for example, recently cut a version of “Santa Claus Goes Modern” — to distribute at its annual Hanukkah shows, of course. Bonafide fans hunt for these 30- or 40-year-old vinyl sides and trade their finds via tapes or MP3 files. A few song-poem vocalists who performed under a variety of assumed names have become cult figures: Rodd Keith (using the nom-de-chanson Rod Rogers here), Gene Marshall (a/k/a Gene Merlino), Dick Kent and Teri Summers. They all appear on this disc, making the song-poem industry seem for a moment like one big happy family, as if they’d come together a la Phil Spector’s roster of mid-sixties stars or Lawrence Welk’s veteran crew to celebrate the holidays in song.